The Art Within The Film The Triumph Of The Will

The Art Within Just like France, the United States, and Russia, Germany also began to make films, as a way to entertain the working class in an inexpensive way. By 1933 Adolf Hitler came to power, creating very harsh social condition that made several writers, actors, and directors flee Germany because they feared that if they stayed they would have gotten killed. Joseph Goebbels later came to run the UFA, as a government owned production company to make films that were shown to civilians and the military as propaganda on March 13 , 1933, and intended to censor German cinema to make the people believe that they were fascist. Numerous movies in that period of time tried to steer clear of talking about the Holocaust to distract people from what was really happening and to make Hitler seem almost godlike. One film in particular directed by Leni Riefenstahl called The Triumph of the Will became a well known example of propaganda in film history. Throughout the film, you really get to experien ce a sense of historical context that influenced thousands of people during the time of World War 2. Today, several people view The Triumph of the Will and have a difficult time distinguishing whether or not they can conclude if they view the film as propaganda or an actual piece of art. Triumph of the Will is a documentary of the Nazi Party conference in 1934 in Nuremberg. From the first frame of the film, Riefenstahl captures every essence of how worshiped HitlerShow MoreRelatedThe Visual and Audio Representations in Arthur C Clarkes The Sentinel1374 Words   |  6 Pagesfound in director Stanley Kubricks film, 2001: A Space Odyssey. Clark actually aided Kubrick in writing the script for the movie, which was in no small part based on the work of literature the author had previously written (Soriano, 2008). To that end, Kubricks film functions as an example of many of the concepts originally denoted by Clark in The Sentinel. 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